The scattered ovoid forms here - cyan, cobalt, violet - refuse any easy reading as mere foliage, operating instead as a kind of chromatic dispersal that owes something to Kandinsky's contention on colour as autonomous spiritual force. The twin arboreal structures, rendered with an almost wilful looseness, stage a dialogue between rootedness and dissolution, the dots migrating outward as if the trees are actively unmaking themselves into pure pigment and air.
The scattered ovoid forms here - cyan, cobalt, violet - refuse any easy reading as mere foliage, operating instead as a kind of chromatic dispersal that owes something to Kandinsky's contention on colour as autonomous spiritual force. The twin arboreal structures, rendered with an almost wilful looseness, stage a dialogue between rootedness and dissolution, the dots migrating outward as if the trees are actively unmaking themselves into pure pigment and air.
- Curatorial note, wifärt gallery