Seun Adeyemi-Park assembles a private iconography across the picture plane - a dog's profile, a Star of David, a heart, an erasure-cross - in a manner that leans on the combinatory logic of Warburg's Mnemosyne Atlas, where symbols accrue meaning through proximity rather than hierarchy. The pencil-thin blue line refuses any distinction between the sacred and the domestic, collapsing taxonomy entirely.
Seun Adeyemi-Park assembles a private iconography across the picture plane - a dog's profile, a Star of David, a heart, an erasure-cross - in a manner that leans on the combinatory logic of Warburg's Mnemosyne Atlas, where symbols accrue meaning through proximity rather than hierarchy. The pencil-thin blue line refuses any distinction between the sacred and the domestic, collapsing taxonomy entirely.
- Curatorial note, wifärt gallery