The outermost boundary arrives first as an eye-shape - a long, tapering vessel, its grey line curving from a pointed lower tip up to a broader, more squared top-right, the whole form tilted roughly thirty degrees from vertical. Inside this, a second closed shape sits to the upper-right interior, its contour heavier and more angular, housing what reads as a letterform: a broad curved back opening leftward, with a horizontal spur cutting across its middle third. Two diagonal strokes then cross the entire composition at an angle steeper than the vessel itself, one entering from the upper area and driving down-left, the other shorter and nearly parallel, together bisecting the interior letterform without regard for its edges. The grey throughout is a single, consistent mid-tone, neither pressing hard into the surface nor lifting away from it.
The outermost boundary arrives first as an eye-shape - a long, tapering vessel, its grey line curving from a pointed lower tip up to a broader, more squared top-right, the whole form tilted roughly thirty degrees from vertical. Inside this, a second closed shape sits to the upper-right interior, its contour heavier and more angular, housing what reads as a letterform: a broad curved back opening leftward, with a horizontal spur cutting across its middle third. Two diagonal strokes then cross the entire composition at an angle steeper than the vessel itself, one entering from the upper area and driving down-left, the other shorter and nearly parallel, together bisecting the interior letterform without regard for its edges. The grey throughout is a single, consistent mid-tone, neither pressing hard into the surface nor lifting away from it.
- Curatorial note, wifärt gallery