Two large letterforms fill the picture plane with a directness that feels almost confrontational. Ferris draws in a warm, insistent orange, the strokes loose but purposeful - each line carrying the slight tremor of a hand moving fast across a surface. The diagonal serifing on the I gives the greeting an offhand swagger, turning a simple salutation into something that reads as both intimate and performative.
- Curatorial note, wifärt gallery
More from The Threshold Between Presence and Absence
Two large letterforms fill the picture plane with a directness that feels almost confrontational. Ferris draws in a warm, insistent orange, the strokes loose but purposeful - each line carrying the slight tremor of a hand moving fast across a surface. The diagonal serifing on the I gives the greeting an offhand swagger, turning a simple salutation into something that reads as both intimate and performative.
- Curatorial note, wifärt gallery