Four chromatic bands coil through the picture plane in a sustained looping trajectory, their layering producing a visual interference that borrows from Sonia Delaunay's Simultanism - the insistence that colour itself carries rhythm without recourse to representational form. The scattered blue nodes punctuate the composition like rests in a score, grounding what might otherwise dissolve into pure optical sensation. Fenn's work asks whether exuberance can constitute a critical position.
Four chromatic bands coil through the picture plane in a sustained looping trajectory, their layering producing a visual interference that borrows from Sonia Delaunay's Simultanism - the insistence that colour itself carries rhythm without recourse to representational form. The scattered blue nodes punctuate the composition like rests in a score, grounding what might otherwise dissolve into pure optical sensation. Fenn's work asks whether exuberance can constitute a critical position.
- Curatorial note, wifärt gallery