Lines That Almost Land

A nervous system rendered in crimson, Marsh's frantic tracery sprawls across the upper field before collapsing inward upon itself. Henri Michaux built a career from exactly this procedure: drawing as seismograph, the hand recording states the mind cannot name. The work operates through accumulation and drift rather than resolution, each crossing stroke generating a fresh axis the eye cannot stabilise.

- Curatorial note, wifärt gallery