A dense lattice of black strokes cuts across the picture plane with the confidence of someone who knows exactly where a line wants to go. Khan works in a compressed horizontal register, layering overlapping trajectories that collide at a central pivot point before fanning outward. The weight of the ink thickens at intersections, giving the composition a structural logic that sits somewhere between notation and architecture.
- Curatorial note, wifärt gallery
More from The Threshold Between Presence and Absence
A dense lattice of black strokes cuts across the picture plane with the confidence of someone who knows exactly where a line wants to go. Khan works in a compressed horizontal register, layering overlapping trajectories that collide at a central pivot point before fanning outward. The weight of the ink thickens at intersections, giving the composition a structural logic that sits somewhere between notation and architecture.
- Curatorial note, wifärt gallery