Osei layers two elliptical forms in compressed, near-collision - one rendered with angular, deliberate faceting, the other in a single fluid stroke that tapers at both poles. A diagonal cut drives through the overlap, introducing tension without resolution. The restrained palette of unmodulated black on white refuses decoration, forcing attention entirely onto the spatial argument being made between the two bodies.
Osei layers two elliptical forms in compressed, near-collision - one rendered with angular, deliberate faceting, the other in a single fluid stroke that tapers at both poles. A diagonal cut drives through the overlap, introducing tension without resolution. The restrained palette of unmodulated black on white refuses decoration, forcing attention entirely onto the spatial argument being made between the two bodies.
- Curatorial note, wifärt gallery