The black outline constructs a face through repetition and correction - overlapping ovals suggesting large eyes, perhaps goggles or spectacles, dominating the central plane. Red marks intervene with a different energy entirely, wrapping around and across the black forms without erasing them. One curved shape echoes the left eye's contour; another sprawls to the right, terminating in what could be antennae or flowers. The red appears celebratory, even protective - less an act of correction than of embellishment.
The black outline constructs a face through repetition and correction - overlapping ovals suggesting large eyes, perhaps goggles or spectacles, dominating the central plane. Red marks intervene with a different energy entirely, wrapping around and across the black forms without erasing them. One curved shape echoes the left eye's contour; another sprawls to the right, terminating in what could be antennae or flowers. The red appears celebratory, even protective - less an act of correction than of embellishment.
- Curatorial note, wifärt gallery