Three black outlines anchor the composition - two rounded cranial forms along the upper register, a bracketing green vertical at the left margin, and a green cup-shape at the right. The left head carries interior detail: a looped inner mark pressed with more urgency than the outer wall. The right head is emptier, its single interior stroke restrained. Below both, a green double-curve and a dark angular chevron pull the eye downward, where the heaviest black lines splay outward like splayed limbs. Threading through all of this, the lavender strokes were almost certainly laid down separately, their soft broad weight sitting beneath the harder marks, giving the page an underlayer that the precise black lines cut through rather than rest upon.
Three black outlines anchor the composition - two rounded cranial forms along the upper register, a bracketing green vertical at the left margin, and a green cup-shape at the right. The left head carries interior detail: a looped inner mark pressed with more urgency than the outer wall. The right head is emptier, its single interior stroke restrained. Below both, a green double-curve and a dark angular chevron pull the eye downward, where the heaviest black lines splay outward like splayed limbs. Threading through all of this, the lavender strokes were almost certainly laid down separately, their soft broad weight sitting beneath the harder marks, giving the page an underlayer that the precise black lines cut through rather than rest upon.
- Curatorial note, wifärt gallery