A brown line of consistent weight opens at the left with two enclosures - a large rectangular body and, below it, a wheel whose interior is crossed by four or five chords converging near a central hub. The hand appears to have laid in that rear wheel first, then moved rightward to place a second, rounder wheel whose spokes radiate with slightly more confidence, the strokes pressing firmly before lifting. Above the frame of the machine a small saddle-shape sits on a vertical stem, and a horizontal handlebar floats at the upper right, slightly detached, as though the hand decided the connection was implied. The pedal and crank area, low and central, accumulates more marks than any other zone - lines crossing and recrossing until legibility tips into texture.
A brown line of consistent weight opens at the left with two enclosures - a large rectangular body and, below it, a wheel whose interior is crossed by four or five chords converging near a central hub. The hand appears to have laid in that rear wheel first, then moved rightward to place a second, rounder wheel whose spokes radiate with slightly more confidence, the strokes pressing firmly before lifting. Above the frame of the machine a small saddle-shape sits on a vertical stem, and a horizontal handlebar floats at the upper right, slightly detached, as though the hand decided the connection was implied. The pedal and crank area, low and central, accumulates more marks than any other zone - lines crossing and recrossing until legibility tips into texture.
- Curatorial note, wifärt gallery