Weight accumulates in the upper half first: a large, thick-limbed shape occupying the right portion of the field, its interior left open so that two white voids interrupt the blue-grey mass and keep it from reading as solid. Below, a second form answers with rounder, heavier lower curves, its base wider and more settled than the restless upper construction. A smaller, bean-shaped mark sits isolated at the upper left, separated from the main body by a distance that makes the white around it feel deliberate rather than empty. The blue-grey is not even throughout - where forms overlap, the tone darkens to a fuller, more concentrated blue, recording the precise geometry of intersection with a frankness the hand could not have planned.
Weight accumulates in the upper half first: a large, thick-limbed shape occupying the right portion of the field, its interior left open so that two white voids interrupt the blue-grey mass and keep it from reading as solid. Below, a second form answers with rounder, heavier lower curves, its base wider and more settled than the restless upper construction. A smaller, bean-shaped mark sits isolated at the upper left, separated from the main body by a distance that makes the white around it feel deliberate rather than empty. The blue-grey is not even throughout - where forms overlap, the tone darkens to a fuller, more concentrated blue, recording the precise geometry of intersection with a frankness the hand could not have planned.
- Curatorial note, wifärt gallery