Two large elliptical forms occupy the page on a shared diagonal axis, the upper one sitting high and left, the lower drifting right and below it, as though the hand found a rhythm on the first loop and let that momentum carry the second into a slightly different register. The line throughout is a consistent, unhurried dark green - pressure neither light nor heavy, weight held steadily around each curve without any obvious point of hesitation or rush. What separates these two forms is not blank space but active space: the white between them is shaped by the arcs on either side and holds as much compositional charge as the marks themselves. The upper loop closes almost completely; the lower one opens at its base into a long falling tail that pulls the eye downward and off the page, leaving the work genuinely unresolved at its lower edge.
Two large elliptical forms occupy the page on a shared diagonal axis, the upper one sitting high and left, the lower drifting right and below it, as though the hand found a rhythm on the first loop and let that momentum carry the second into a slightly different register. The line throughout is a consistent, unhurried dark green - pressure neither light nor heavy, weight held steadily around each curve without any obvious point of hesitation or rush. What separates these two forms is not blank space but active space: the white between them is shaped by the arcs on either side and holds as much compositional charge as the marks themselves. The upper loop closes almost completely; the lower one opens at its base into a long falling tail that pulls the eye downward and off the page, leaving the work genuinely unresolved at its lower edge.
- Curatorial note, wifärt gallery