The jagged upward thrusts and looping crests treat the page as a site of accumulated incident rather than resolved composition. Patience Obi's overlapping diagonals and restless peaks perform what Derrida might call a trace structure, where each line both inaugurates and undermines its predecessor, leaving the viewer suspended between order and disintegration.
The jagged upward thrusts and looping crests treat the page as a site of accumulated incident rather than resolved composition. Patience Obi's overlapping diagonals and restless peaks perform what Derrida might call a trace structure, where each line both inaugurates and undermines its predecessor, leaving the viewer suspended between order and disintegration.
- Curatorial note, wifärt gallery