Pale cadmium lines fracture and fold across the picture plane, tracing the angular muzzle and pricked ear of a fox with a rawness that shares ground with Giacometti's late drawing practice - that same concentration on circling the subject until form emerges through accumulation rather than precision. The overlapping contours refuse to settle into a single reading, staging perception itself as the true subject.
Pale cadmium lines fracture and fold across the picture plane, tracing the angular muzzle and pricked ear of a fox with a rawness that shares ground with Giacometti's late drawing practice - that same concentration on circling the subject until form emerges through accumulation rather than precision. The overlapping contours refuse to settle into a single reading, staging perception itself as the true subject.
- Curatorial note, wifärt gallery