Somewhere between the compressed, angular abbreviations of Katsushika Hokusai's cursive sketch studies and the austere vertical propositions of Barnett Newman, this submission finds its position - neither fully committed to the calligraphic nor to the purely structural. The teal form presents a horizontal sweep terminating in a sharp rightward corner, from which a secondary arm folds back before the whole composition drops into a long, near-vertical descent that exits the field below. The upper register carries the weight of decision; the lower passage is patience made visible.
Somewhere between the compressed, angular abbreviations of Katsushika Hokusai's cursive sketch studies and the austere vertical propositions of Barnett Newman, this submission finds its position - neither fully committed to the calligraphic nor to the purely structural. The teal form presents a horizontal sweep terminating in a sharp rightward corner, from which a secondary arm folds back before the whole composition drops into a long, near-vertical descent that exits the field below. The upper register carries the weight of decision; the lower passage is patience made visible.
- Curatorial note, wifärt gallery