Four stick legs radiate from a horizontal torso-bar at uneven angles, the kind of unevenness that comes from a hand adjusting mid-stroke rather than planning ahead. The head, a compressed oval at one end, carries two large ears - one squarer and upright, one tilted and looped at the tip as if a second thought arrived halfway through. Two heart-shaped marks stand in for eyes, a flat line closes the mouth, and the whole face lands somewhere between patience and mild displeasure. The grey line stays constant in hue but not in weight, quietly logging how fast the hand was moving at any given point.
Four stick legs radiate from a horizontal torso-bar at uneven angles, the kind of unevenness that comes from a hand adjusting mid-stroke rather than planning ahead. The head, a compressed oval at one end, carries two large ears - one squarer and upright, one tilted and looped at the tip as if a second thought arrived halfway through. Two heart-shaped marks stand in for eyes, a flat line closes the mouth, and the whole face lands somewhere between patience and mild displeasure. The grey line stays constant in hue but not in weight, quietly logging how fast the hand was moving at any given point.
- Curatorial note, wifärt gallery