Twombly's late Rome drawings had a habit of nesting something small and almost childlike inside a larger, looping enclosure, and Miroslav Teng's blue configuration works the same way. A vertical stroke anchors the left edge; a broad open C-curve to its right cradles a small heart at its centre, while a loose diagonal floats free at upper right. The tail descends and pulls the eye down into open space rather than offering any tidy conclusion.
Twombly's late Rome drawings had a habit of nesting something small and almost childlike inside a larger, looping enclosure, and Miroslav Teng's blue configuration works the same way. A vertical stroke anchors the left edge; a broad open C-curve to its right cradles a small heart at its centre, while a loose diagonal floats free at upper right. The tail descends and pulls the eye down into open space rather than offering any tidy conclusion.
- Curatorial note, wifärt gallery