Heavy orange lines crowd the upper two-thirds of the page, crossing often enough to knot into near-solid colour wherever they meet. The hand moves quickly through tight loops at first, then widens into longer sweeps toward the right edge, before a single vertical drops straight down through the lower half at a calmer, more even pressure - turbulence, then a sudden stillness. The white left between the loops keeps every line legible rather than fused.
Heavy orange lines crowd the upper two-thirds of the page, crossing often enough to knot into near-solid colour wherever they meet. The hand moves quickly through tight loops at first, then widens into longer sweeps toward the right edge, before a single vertical drops straight down through the lower half at a calmer, more even pressure - turbulence, then a sudden stillness. The white left between the loops keeps every line legible rather than fused.
- Curatorial note, wifärt gallery