Three overlapping passes of translucent blue accumulate rather than resolve, each one darkening the patches where it crosses the last into something closer to cobalt. Mithun's line never quite completes a shape; instead it stages duration, the layered opacity recording how many times the hand returned to the same patch of page before deciding to stop.
Three overlapping passes of translucent blue accumulate rather than resolve, each one darkening the patches where it crosses the last into something closer to cobalt. Mithun's line never quite completes a shape; instead it stages duration, the layered opacity recording how many times the hand returned to the same patch of page before deciding to stop.
- Curatorial note, wifärt gallery